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Cinematographer employs a high‑contrast color palette : deep blues and blacks dominate the city scenes, while saturated reds punctuate moments of violence or revelation (most notably the recurring red sari). The use of handheld cameras during investigative sequences immerses viewers in Devika’s frantic urgency, whereas static, symmetrical frames are reserved for mythic dream sequences, creating a visual rhythm that distinguishes reality from the subconscious.

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